2025: shows of the year

It gets harder and harder each year to convince people that I don’t just live at Nowadays … but I sort of really do, erk. Two notes in general for the year: there were a higher than usual number of beatmatching errors, from DJs that usually don’t make them, which seemed odd. Also, everyone was makin’ out — if people are decrying that the kids are not having sex, please send them to Cooper Ave, my goodness.

Donato Dozzy @ Nowadays Nonstop

My notes here say, correctly, that “Dozzy did not play one bad record”, which I think is true. An effortless step through contemporary techno, with lots of the minimal revival, but likewise lots of dub and psych influences, with a bit of heavier stuff at the end. Comprehensive and excellent — and a delight to see some pals there!

Ben UFO @ Nowadays Nonstop

Yes yes, again. This was the weekend of Wire Festival and I think some K Bridge parties as well, so the best DJ of his generation was not that busy, and maybe a bit deeper and more Detroit, just a bit? He also dropped “Fena” and shook the room, so maybe it’s just same old Ben as always.

Nidia x DJ Nigga Fox @ Nowadays Nonstop

I could not stay awake for all of this one, as I was coming from a friend’s wedding, but Container was great and loud, Deli Girls apparently had a drum kit set up, somewhere, but our friends from Portugal were amazing — weirdo house beats, some maddening half-time 6/8 things, and spike-heavy loops.

Theo Parrish All Night @ Nowadays

I went to one of these earlier in the year, which was great (and just amazingly busy early), but this one stole it. I think a lot the “loop” that genre-bending DJs go through — house, disco, detroit techno, house, repeat — this time Theo played almost no house music, subbed in jazz and Nina Simone for disco, and despite the room being there, played an empty-room-esq listening party for an hour.

CCL All Night @ Nowadays

If I didn’t think it underrated their achievements, I’d nominate CCL as the new Kwisatz Haderach — this set had multiple start-the-next-record-on-2 to shift basslines over, they played what sounded like two 1970s british blues revival records back to back, etc etc — and I got to hear “Torn In Two” (see tracks) on the Nowadays sound system, a dream!

Powder @ Nowadays Nonstop

No, you just go to Nowadays to dance for 6 hours in the morning — but why not? This set was great and housey and 90s … and then Powder slid in a last half-hour of slinky, weird dark ambient, sleaze-forward dubby techno, and left us all in a daze.

Giles Peterson, Kieren Hebden, Emma-Jean Thackray, Marshall Allan, etc – Jazz Dance @ Xanadu

Peterson has been saying “Jazz Dance at Dingwalls” for something like forty years now — to his credit, I stress, especially when he can bring lineups like this to a roller disco in Bushwick. The whole thing was a wonder, including Marshall Allan at 100, EJT both playing and DJing, and a bunch of nerds watching Four Tet play jazz freakout records … but those of us who knew were cutting it up on the dancefloor.

Honors, honors, we love you all:

  • Antal playing boogie and city pop and latin disco at Nowadays, a lovely time.
  • The terrifying but compelling ambient room at Wire Festival — great sounds, very hard to get in or out of.
  • Donis and Aquite at Mr. Sunday, killer dancers and a Chaka Khan sing-a-long, amazing.
  • Akanbi at Nonstop with his own dude on talking drum.
  • DJ Clent at Nowadays, endless post-footwork power.
  • Jessy Lanza at Public Records, playing more post-step than Pearson Sound, who she was opening for.
  • Vladimir Ivkovic / Lena Wilikens at Nowadays, for those who know / want all their records played on 33.
  • And a very special thanks to Duane Harriot for playing Toto’s “Africa” at Mr. Sunday, what a jam, what a jam.

2025: concerts of the year

Here we go! I had forgotten / not worried about it being a quarter of the way through the century until about a week ago … so rest assured that you won’t get any nostalgic business here.

JACK Quartet –  Helmut Lachenmann String Quartets @ Miller Theatre

I thought that this was going to be poorly attended, and boy was I wrong. It ended up being like some sort of arcane athletic event, with everyone taking the (sometimes inane) microsounds so seriously as to be comic.

Three Lachenmann pieces in one night is a bit much — but there are moments in there that you can’t get anywhere else, both of technical glory and of emotional collapse.

NY Phil – Berg Violin Concerto, Saariaho, Messiaen, Debussy

Well, if you wanted emotional collapse, you came to the right place. Berg’s Concerto is often ultra-romanticized away as an elegy and nothing more, which does not really do it justice — there’s technical wizardry to spare, like in the Lachenmann, and an arc with much more than just tragedy.

(This to say nothing of the Debussy and two short things by Saariaho and Messiaen! This was much more sparse than the Lachenmann, alas for the NY Phil.)

Hollas Longton – Landscape With Train Whistle @ piano+, Harlem

I am of course biased here because I know Hollas, but I ain’t wrong when I say that his work, and this one, have a sense of self that we don’t get much in the small ensemble / post-Wandelweiser world.

Sofia Labropoulou w/ Christian Reiner & Kenji Herbert @ Porgy & Bess, Vienna

Also biased as I know Kenji, but this bit of free improv, on guitar, zither, and free sprech has again stuck with me as an example of just how far you can go out before you need to come back in — Christopher Butterfield would be proud, to say nothing of Kurt Schwitters

Honorable mentions for!

  • The NY Phil doing Philip Glass – Symphony No. 11 and Kate Soper – Orpheus Orchestra Opus Onus; Kate performed hers, and Phil was there, bless his heart.
  • The Vienna Symphony doing the Tannhauser Overture, some other Wagner, and Liszt — in which I realized that the “Bugs Bunny” Tannhauser theme is not actually a love song, another thing I’ve been wrong about since I was about 6.
  • Kara-Lis Coverdale at Le Poisson Rouge — Coverdale was great (see Albums for this year), but LPR keeps being an awfully unfriendly venue to listen to music in.

autumn is a comin in

fall relax

le sud

summer is

la france

endless west west west

giant summer

spring bounce