Fractal – This Is What They Want [Clip].
Started this one awhile ago, when I was looking for a new direction for the Nero remix. The bassline came out, and then I did a bunch more clean up on the drums tonight. I’ll finish it off soon, though I don’t know where else it needs to go.
(With apologies to Mr. Ellis and Mr. Immonen.)
I am delighted to say that the two remixes I’ve been working on look to have been approved by the masterminds at Pacific Front. This pleases me. Clips are bellow, and more release info will be up soonest, too.
Dustin H – Receive The Light (Fractal’s Photons Are Data Mix) – basically me trying to be BT. It’s downtempo, lush, and has lots of edits and cute time signature changes. Clip is here.
Nero – Lost (Fractal Remix) – somewhere between Gwill Morris and Leama & Moor. It’s one massive key-shifting melodic hook over and over and over and over. Clip is here.
Playin’ at Hush tonight, with Dave ‘Osiris’ Sanderson – you should totally come.
That’s Kool Herc up there, one of the pioneers of hip-hop DJing. I was looking at some wanky academic papers with titles like “Beatboxing As Information Recall” and stuff like that, and I was suddenly struck very, very hard by the fact that vinyl is a non-linear medium.
I mean, it’s an obvious thing, but also a really subtle thing. The next step from that is to realize that house music is linear music, whereas hip-hop is not. As a case in point, ‘way back in the day, house and disco tunes were sometimes play on reel to reel tape players, about the most linear medium every created by man. Hip-hop DJing, on the other hand, doesn’t exist, can’t exist without the ability to do “live re-editing, live re-mixing, and mash-ups!”, to paraphrase a promotional campaign for a certain DJ that we all know and love:
So which is better? The mix or the cut? I’m pretty sure the answer is “both.” I was raised on John Digweed though, so you can guess which way I tend to jump. That said, I should try jumping the other way soon.
If you’ve ever had sex, you should watch SHORTBUS. It is by degrees touching, hysterical, hopeful, depressing, fantastic, real, mind-bogglingly explicit, and deliciously subtle. It also includes some timeless lines like: “Justin, someone just came on your cat”, “She’s got a cunt like a wizard’s sleeve” and the single most amazing rendition of The Star-Spangled Banner you’ll ever hear.
So unless I miss-read the emails, the Tide Pool show on Proton Radio will be airing live and direct on the free stream tomorrow (Friday, March 16th) at 0300 hours EST. I assume that means Midnight on Thursday for us westerners. We shall see, however.
The inaugural game of spring soccer is today! You should totally come.
Frog Hunt, to quote from the designers, “Might just be the worst game ever made.” If nothing else, it’s interesting for 15 minutes or so. Catch those frogs!
BallDroppings, on the other hand, is a masterfully subtle and suspiciously deep granular sampler masquerading as a game. I can’t really recommend it to normal people, but audio geeks will have a *blast* with it.
I will be playing on Thursday, March 22nd, at Hush Nightclub, for Motion. I have *no* idea what I’ll be playing, but I promise it will be delightful in all ways.
Tunes just burnt:
Kieran & D’Void – White Light [Soma]
Chymera – Midnight At The Aquarium [Mezzotinto.]
Fabrice Lig – Fast Walk On Broadway [Playhouse]
Native & Silver – The Dome (FCD Code Remix) [Swordtail]
Mangan & Bonnici – Periwethel [EQ Grey]
C79 – Dope Ride (Formulate Remix) [Pacific Front]
Ripperton – Farra [Connaisseur]
Armand Van Helden – Witch Doktor (The Possessed Mix) [Strictly Ryhthm]
Tomer Valve – Rats [Precinct]
Eelke & Nick – Gamma Fix (Tim & Vasilos Mox) [Spinifex]
Guy J – Ear Canal (Technonono Edit) [Proton]
Guy J – Self Love [Primal]
Parks & Wilson – The Dragon (World Music Intro Mix) [Primal]
Shiloh – Cafe Del Mariachi (Nick Warren Remix) [Hope]
Dustin H – Recieve The Light [Pacific Front]